This volume, part of a 32-volume series, offers a homiletic commentary on the first 39 chapters of Isaiah, compiled by Robert Aitkin Bertram and Alfred Tucker. Its structure is distinctly practical: each passage is broken into numbered outlines, often with subheadings like “I. He is our Test” or “False Refuges,” followed by condensed sermon excerpts from various preachers. The work’s arrangement prioritizes ready application over sustained exegesis, with frequent cross-references to other biblical texts and to other outlines within the volume. The editors also include an appendix with multiple translations of Isaiah, reflecting a concern for textual comparison.
Outline Architecture and Navigational Aids
The commentary’s primary structural unit is the numbered outline, each keyed to a specific verse or passage. For example, the outline on Isaiah 28:16, titled “A Tested Saviour,” proceeds through seven points (I–VII), each introduced by a rhetorical question. This format allows a preacher to quickly locate a thematic treatment. The volume also includes a listing of outlines in sequential order by scripture reference, placed after the Index of Subjects and before the Introduction. Page headers guide the reader to the relevant passage, and footnotes (originally marked with Greek letters, here converted to bracketed numbers) link to further amplifications. The transcriber’s notes detail modifications to page numbering for front and back matter, ensuring clarity in a digital environment.
Recurring Imagery: Building, Testing, and Refuges
Several outlines employ architectural and testing metaphors. In the treatment of Isaiah 28:16, the “tried stone” is compared to a builder testing a foundation before raising an edifice. This image recurs in the outline on “False Refuges” (Isaiah 28:17), where hail sweeps away a “refuge of lies.” The commentary repeatedly uses the language of testing: Christ is tested by the Father, Satan, wicked men, and believers. The outline on “A Tested Saviour” asks, “Have you tried him?”—a direct appeal to the reader. These metaphors are not merely ornamental; they structure the argument, moving from the tested stone to the false refuges that fail under judgment.
Movement Between Scenes: From Text to Application
The commentary frequently shifts between the biblical text and contemporary application. In the outline on “False Refuges,” the exposition begins with the verse, then moves to a general statement about Satan’s stratagems, then to specific examples: “Voltaire trembled in a storm,” and Felix under the preached word. This movement—from ancient prophecy to modern instance—is typical. The editors also include references to historical figures (Samuel Davies, R. Bingham) and to other biblical passages (Luke 2:34, Psalm 14:1). The effect is a layered reading that treats Isaiah as a living text, relevant to the preacher’s own congregation. The volume’s late 19th-century context is evident in its cultural assumptions, as noted by the transcriber.
The Role of the Transcriber’s Paratext
The digital edition includes extensive transcriber’s notes that shape how the reader encounters the work. These notes explain the original formatting (small caps, footnote placement) and flag the volume’s historical biases: “suggestions that the Church replaces Israel,” anti-Roman Catholic sentiments, and cultural insensitivity. The transcriber also inserted a listing of outlines and hyperlinked footnotes. This paratext functions as a critical frame, alerting the reader to the commentary’s limitations while preserving its utility. The note that “the Transcriber does not necessarily agree with every opinion expressed” distances the digital edition from the original’s viewpoints, creating a layered reading experience where the commentary’s structure is both preserved and questioned.
Readers approaching this volume should attend to its dual nature: a practical tool for sermon preparation, and a historical artifact with embedded assumptions. The outline structure rewards selective browsing, while the cross-references and appendix invite deeper comparison. The transcriber’s interventions, though editorial, also offer a model for critically engaging with older theological works.
There’s something tender about old outlines for Isaiah—why the compiler lingered on that olive tree, the branch that comes through fire. I felt the same quiet patience later in The Expositor's Bible: The Epistle of St Paul to the Romans — Reading Notes, where even Paul’s metaphors wait for you, unhurried, like a familiar voice checking the lamp is still lit.