The Doré Bible Gallery, Volume 4 — Text and Context
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This digital edition of The Doré Bible Gallery, Volume 4 — Text and Context is described by source-level measurements including 9,302 words, 41 min estimated reading time, and 2 detected text sections.
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Philistines had done to Saul; all the valiant men arose, and went all night, and took the body of Saul and the bodies of his sons from the wall of Beth-shan, and came to Jabesh, and burnt them there. And they took their bones, and buried them under a tree at Jabesh, and fasted seven days. 1 Samuel xxxi.
THE DEATH OF ABSALOM.
And David numbered the people that were with him, and set captains of thousands and captains of hundreds over them. And David set forth a third part of the people under the hand of Joab, and a third part under the hand of Abishai the son of Zeruiah, Joab's brother, and a third part under the hand of Ittai the Gittite. And the king said unto the people, I will surely go forth with you myself also.
But the people answered, Thou shalt not go forth: for if we flee away, they will not care for us; neither if half of us die, will they care for us: but now thou art worth ten thousand of us: therefore now it is better that thou succor us out of the city.
And the king said unto them, What seemeth you best I will do. And the king stood by the gate side, and all the people came out by hundreds and by thousands. And the king commanded Joab and Abishai and Ittai, saying, Deal gently for my sake with the young man, even with Absalom. And all the people heard when the king gave all the captains charge concerning Absalom.
So the people went out into the field against Israel: and the battle was in the wood of Ephraim; where the people of Israel were slain before the servants of David, and there was there a great slaughter that day, of twenty thousand men. For the battle was there scattered over the face of all the country: and the wood devoured more people that day than the sword devoured.
And Absalom met the servants of David. And Absalom rode upon a mule, and the mule went under the thick boughs of a great oak, and his head caught hold of the oak, and he was taken up between the heaven and the earth; and the mule that was under him went away.
And a certain man saw it, and told Joab, and said, Behold I saw Absalom hanged in an oak.
And Joab said unto the man that told him, And, behold, thou sawest him, and why didst thou not smite him there to the ground? and I would have given thee ten shekels of silver, and a girdle.
And the man said unto Joab, Though I should receive a thousand shekels of silver in mine hand, yet would I not put forth mine hand against the king's son: for in our hearing the king charged thee and Abishai and Ittai, saying, Beware that none touch the young man Absalom. Otherwise I should have wrought falsehood against mine own life: for there is no matter hid from the king, and thou thyself wouldst have set thyself against me.
Then said Joab, I may not tarry thus with thee. And he took three darts in his hand, and thrust them through the heart of Absalom, while he was yet alive in the midst of the oak. And ten young men that bare Joab's armor compassed about and smote Absalom, and slew him. And Joab blew the trumpet, and the people returned from pursuing after Israel: for Joab held back the people. And they took Absalom, and cast him into a great pit in the wood, and laid a very great heap of stones upon him: and all Israel fled every one to his tent.--2 Samuel xviii, 1-17.
DAVID MOURNING OVER ABSALOM.
Then said Ahimaaz the son of Zadok, Let me now run, and bear the king tidings, how that the Lord hath avenged him of his enemies. And Joab said unto him, Thou shalt not bear tidings this day, but thou shalt bear tidings another day: but this day thou shalt bear no tidings, because the king's son is dead. Then said Joab to Cushi, Go tell the king what thou hast seen. And Cushi bowed himself unto Joab, and ran. Then said Ahimaaz the son of Zadok yet again to Joab, But howsoever, let me, I pray thee, also run after Cushi. And Joab said, Wherefore wilt thou run, my son, seeing that thou hast no tidings ready? But howsoever, said he let me run. And he said unto him, Run. Then Ahimaaz ran by the way of the plain, and overran Cushi.
This volume presents a selection of Gustave Doré's engravings illustrating biblical narratives, each plate accompanied by a page of explanatory text. The excerpts reveal a focus on prophetic figures and moments of divine judgment, such as the prophet from Judah slain by a lion for disobedience (2 Kings xiii) and Elijah calling down fire on the messengers of Ahaziah (2 Kings i). The editor's preface emphasizes the work's aim to provide a choice collection of sacred subjects for art-loving biblical students, with plates chosen for general interest and American taste.
Narrative Voice and Editorial Framing
The editorial preface adopts a reverent, promotional tone, describing Doré as 'the greatest of modern delineators' and praising his 'magic touch' and 'rich and facile invention.' This voice frames the engravings as both artistic masterpieces and devotional aids. The letter-press for each plate is described as 'in narrative form, containing generally a brief analysis of the design,' suggesting a consistent structure that guides the reader's interpretation. The excerpts from the biblical text itself are presented in a formal, archaic style, with direct quotations and formulaic phrases like 'And it came to pass.' The juxtaposition of the editor's florid prose with the stark biblical narrative creates a layered reading experience.
Recurring Motifs: Prophetic Authority and Divine Retribution
The selected passages repeatedly depict prophets as agents of divine will, whose authority is tested through acts of obedience and disobedience. In the story from 2 Kings xiii, a man of God is deceived into eating and drinking against God's command, leading to his death by a lion—a lion that does not eat the carcass or harm the ass, emphasizing the supernatural nature of the punishment. Similarly, Elijah's confrontation with Ahaziah's soldiers involves repeated calls for fire from heaven, consuming two captains and their fifties before the third captain's plea for mercy is heard. These scenes highlight a pattern of escalating divine response and the severe consequences of challenging prophetic authority.
Visual and Textual Pacing in the Engravings
The excerpts suggest that Doré's engravings capture moments of high drama and stillness. The description of the prophet's carcass 'cast in the way, and the lion standing by' presents a static, tableau-like image, while Elijah 'sat on the top of an hill' before calling down fire implies a commanding, elevated pose. The accompanying text alternates between rapid action (fire descending, the lion slaying) and lingering details (the lion standing, the ass remaining). This pacing likely mirrors the composition of the plates, where Doré uses contrast between chaotic movement and frozen aftermath to heighten emotional impact. Readers may observe how the letter-press directs attention to specific elements within each engraving.
Readers approaching this volume should consider how the editorial framing shapes their perception of Doré's work. The preface's claim that the plates were chosen for 'the known taste of the American people' invites reflection on cultural and historical contexts. Comparing the biblical text with the editor's analysis may reveal shifts in emphasis or interpretation. The volume is best experienced as a dialogue between word and image, where each engraving offers a distinct visual commentary on the scriptural narrative.
I keep thinking about those Doré engravings—the way Elijah’s fire feels less like a miracle than a held breath. It reminded me of how quiet study can be, the way a single phrase lingers long after you close the book. A Ribband of Blue, and Other Bible Studies — Story, Setting & Ideas had that same unhurried weight, like sitting with a friend who lets you find the meaning yourself.
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