Hymns from the East Being Centos and Suggestions from the Office Books of the Holy Eastern Church — Story, Setting & Ideas

(0 User reviews)   1478
In Category - Theology
Brownlie, John, 1857-1925 Project Gutenberg 2009 Not confirmed
Hymns, Greek -- Translations into English; Orthodox Eastern Church -- Hymns Readers of public-domain and historical texts
Project Gutenberg digital edition en

Edition facts

Words 13,355
Reading time 59 min
Text sections 3

For Hymns from the East Being Centos and Suggestions from the Office Books of the Holy Eastern Church — Story, Setting & Ideas, the stored edition analysis reports 13,355 words, 59 min estimated reading time, and 3 detected text sections.

The text analysis averages about 23.0 words per sentence, while the detected sections provide another way to judge how the source is divided.

Project Gutenberg metadata also associates the work with “Hymns, Greek -- Translations into English,” connecting these edition facts with the source record’s subject description.

John Brownlie's 1907 collection of centos and suggestions from Eastern Orthodox service books, offering English hymn-verse that adapts Greek liturgical sources. The poems move through morning, evening, and church-year themes, with a distinctive shift from narrative to direct prayer.
Share
Editorial Edition Score 4.5/5

Calculated from edition completeness, EPUB availability, text structure and catalogue metadata. Not a user rating.

How this score is calculated
  • Description quality20 pts
  • Title & short description10 pts
  • Source metadata20 pts
  • Text length15 pts
  • Chapters / structure15 pts
  • EPUB file integrity20 pts

Total of 100 points, scaled to a 2.5-5.0 range. Editions with an empty description or a missing EPUB file are not scored.

Edition quality

Read the Text

Produced by Stephen Hutcheson and Charles Coulston

_Hymnological Works by the Same Author._

HYMNS FROM THE GREEK OFFICE BOOKS. Crown 8vo, 3/6 net.

HYMNS OF THE HOLY EASTERN CHURCH. Translated from the Service Books; with Introductory Chapters on the History, Doctrine, and Worship of the Church. Crown 8vo, 3/6 net.

Alexander Gardner, Paisley.

HYMNS OF THE GREEK CHURCH. Being Translations from the Service Books; with Introduction and Notes. Crown 8vo, 2/6.

Oliphant Anderson & Ferrier, Edinburgh.

HYMNS AND HYMN-WRITERS OF THE CHURCH HYMNARY. Crown 8vo, 3/6.

Henry Frowde, Oxford University Press.

HYMNS FROM EAST AND WEST. Crown 8vo, 2/6.

HYMNS OF THE EARLY CHURCH. Crown 8vo, 2/6.

HYMNS OF OUR PILGRIMAGE. Crown 8vo, 2/-.

ZIONWARD: HYMNS OF THE PILGRIM LIFE. Crown 8vo, 1/-.

THE REST OF GOD. Crown 8vo, 1/6 net.

PILGRIM SONGS. Crown 8vo, 1/-.

James Nisbet & Co., Ltd., London.

HYMNS FROM THE EAST BEING CENTOS AND SUGGESTIONS FROM THE SERVICE BOOKS OF THE HOLY EASTERN CHURCH

BY THE REV. JOHN BROWNLIE

_Author of_ "_Hymns and Hymn Writers of the Church Hymnary_," "_Hymns of the Greek Church_," "_Hymns from the Greek Office Books_," "_Hymns of the Holy Eastern Church_," _&c., &c._

PAISLEY: ALEXANDER GARDNER

Publisher by Appointment to the late Queen Victoria

LONDON: SIMPKIN, MARSHALL, HAMILTON, KENT & CO., LMD.

PRINTED BY ALEXANDER GARDNER, PAISLEY

{TOIS AGIOIS EN DEXIA, THEOU KAI PISTOIS EN CHRISTÔ, ANATITHÊMI}

PAGE INTRODUCTION, 9 MORNING-- Now, God of Light, the morn appears, 25 Up, up my soul! with gladness rise, 27 The saffron tints appear, 29 Now glows the morn in beauty rare, 31 EVENING-- When night her sable curtain spreads, 35 A crown of gold surpassing rare, 37 CHRISTMAS-- The Lord of Life to earth came down, 41 Jerusalem rejoice! 44 The best that heaven could bring, 46 Out from the rising of the sun, 47 EASTER-- O woeful hour, when from the night, 51 Crown the Lord of glory, 53 O Christ, when on the shameful tree, 55 O God of Love, Whose mercy came, 57 When hades held the Lord of Life, 59 When Thou, O Christ, upon the tree, 61 To Thy Cross and Resurrection, 63 Light is dawning 'mong the hills, 65 Hail! rising morn, for He hath risen, 67 We worship, Lord, before Thee now, 69 Heavy laden with thy grief, 70 To Thee, O Christ, our God, 72 Glory shone within the gloom, 74 When Adam heard the voice of sin, 76 Within the garden's sombre shade, 78 PENTECOST-- Even as Thou saidst, the Spirit came, 83 O may the Spirit of all grace, 85 COMMUNION-- Let Thy blood in mercy poured, 89 O Lord of bounty, let this bread, 91 JUDGMENT-- When in the clouds the Lord appears, 95 The Bridegroom comes, my soul awake! 98 O Judge of all, when sinful men, 100 I brought my merits to the throne, 102 The time is drawing nigh, 104 ASPIRATIONS-- I sought the Lord at early morn, 109 O touch my heart and bring to mind, 111 The wealth of high estate, 113 I lift my hands, and with my heart, 115 Arise, my soul, and gaily sing, 117 The King shall come when morning dawns, 119 Think on me, Lord, for Thou art kind, 121 Because Thy mercy is so great, 123 I cannot lift mine eyes, 125 When at Thy feet oppressed, 127 Because I was brought low, 129 O God of Life, in Whom we live, 131 By Thine own hand the gift was given, 133 Lord, Thou art good and kind, 134 O Lord of Life, when mortals call, 136 I wandered sore distressed, 138 God sent me to the desert wild, 140

This fourth series of Hymns from the Office Books of The Holy Eastern Church, differs from the preceding three in this, that the hymns are less translations or renderings, and more centos and suggestions.

One cannot continue long to interest himself in any work, and receive from time to time the observations and criticisms of his fellows, without, if he have his eyes and mind open to receive impressions, feeling himself impelled to alter his methods in some particular or other.

In previous volumes the author has been careful to give, for the most part, carefully executed--that is to say, truthfully rendered translations from the originals. Work of that kind is useful, and absolutely necessary for certain purposes; but, unless for the hymnologist, or for the liturgiologist, it is far from being attractive. To be true, renderings can hardly be graceful, and they must lack much of the literary charm which attaches itself to productions which are more untrammelled. Hence, unless, as has been said, to the few who are specialists, translations are not much in favour. They have earned a reputation, and that reputation adheres to them: they are cold and uninspiring. Such is their reputation, not always just, but who can say that it has not, on the whole, been earned?

John Brownlie's Hymns from the East (1907) presents centos and suggestions drawn from the service books of the Holy Eastern Church. Rather than offering strict translations, Brownlie crafts original English verse that adapts Greek liturgical material. The collection is organized by liturgical occasion—Morning, Evening, Christmas, Easter, Pentecost, Communion, Judgment, and Aspirations—each section containing multiple short hymns. The poems vary in stanza form and metrical pattern, with some employing a consistent six-line stanza (as in the Communion hymns) and others using quatrains or irregular structures. Brownlie's voice shifts between narrative retelling of biblical events and direct devotional address, a change that marks the collection's internal movement.

Narrative to Prayer: A Shift in Address

The hymns in this collection frequently begin with a third-person narrative of a biblical scene, then pivot to first-person prayer. In the Easter section, for instance, the poem beginning 'O woeful hour, when from the night' recounts the crucifixion and resurrection before turning to personal petition: 'Spare me, O Lord, Thy creature spare.' This pattern recurs in the Judgment hymns, where the opening description of Christ's coming in the clouds gives way to a plea for mercy. The shift is not always smooth; some poems maintain a consistent address, while others change voice mid-stanza. Brownlie's handling of this transition reveals a tension between liturgical recitation and personal devotion, a feature that may reflect the dual purpose of the cento form itself—borrowing from corporate worship while aiming for individual expression.

Repetition as a Structural Device

Several hymns employ deliberate repetition of a key phrase to unify stanzas. In the Pentecost hymn 'Even as Thou saidst, the Spirit came,' each stanza begins with 'Even as Thou saidst,' creating a refrain that anchors the poem in Christ's promise. Similarly, the Communion hymn 'Let Thy Blood in mercy poured' repeats the couplet 'Thou didst give Thyself for me, / Now I give myself to Thee' at the end of each stanza. This technique gives the poems a liturgical, almost antiphonal quality, and it marks a departure from the more varied stanza structures elsewhere. The repetition can feel insistent, even meditative, and it suggests that Brownlie is adapting the responsorial patterns of Eastern hymnody into English verse. The effect is to slow the reading pace, drawing attention to the core theological claim of each hymn.

Concrete Imagery and Sensory Detail

Despite the abstract theological content, Brownlie occasionally grounds his verse in concrete sensory images. In the Easter poem 'Within the garden's sombre shade,' the setting is evoked through visual and tactile details: 'the garden's sombre shade,' 'the blood-drops fell.' The Judgment hymn 'When in the clouds the Lord appears' uses the image of angels 'stand[ing] around His throne' and the 'awful day' to create a scene. Yet these moments are intermittent; many hymns rely on generalized language of light, darkness, and peace. The most vivid imagery appears in the Passion and Easter sections, where the physical details of the crucifixion—thorns, spear wound, nailing—are listed in the Communion hymn. This uneven distribution of sensory language suggests that Brownlie's centos are more concerned with doctrinal expression than with poetic ornament, but the concrete passages offer a counterpoint to the more abstract stretches.

Readers approaching Hymns from the East may find it useful to read the hymns aloud, as their rhythmic and repetitive structures are designed for oral delivery. The collection rewards attention to the shifts in voice and the occasional concrete image that breaks through the liturgical language. Brownlie's centos are best understood as adaptations rather than translations, and the reader should expect a consistent devotional tone rather than a variety of poetic styles.

The rain kept up all afternoon, and I drifted through Brownlie’s centos, struck by how his Greek hymns turned from story into prayer so quietly. That same unhurried shift stayed with me afterward, leading me to pick up Bible Characters — A Reader’s Guide, where familiar figures felt less like symbols, more like people pausing before speaking.

There are no reviews for this eBook.

0
0 out of 5 (0 User reviews )

Add a Review

Your Rating *
There are no comments for this eBook.

Reader reflection

Before you leave, reflect on the book

Use these questions to collect your thoughts before moving on.

Your progress 0 / 10
1

How far have you progressed with this book?

2

What was your overall reaction to the book?

3

How likely are you to recommend this book?

4

What was the reading difficulty like?

Related eBooks