The Expositor's Bible: The Book of Revelation — Context and Discussion
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This digital edition of The Expositor's Bible: The Book of Revelation — Context and Discussion is described by source-level measurements including 125,936 words, 9 hr 8 min estimated reading time, and 15 detected text sections.
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THE CHURCH ON THE FIELD OF HISTORY 21
ANTICIPATIONS OF THE CHURCH'S VICTORY 65
THE SEALED ROLL OPENED 86
CONSOLATORY VISIONS. THE SEALING AND THE PALM-BEARING MULTITUDE 111
THE FIRST SIX TRUMPETS 132
RENEWED CONSOLATORY VISION. THE LITTLE BOOK 157
A SECOND CONSOLATORY VISION. THE MEASURING OF THE TEMPLE AND THE TWO WITNESSES. THE SEVENTH TRUMPET 168
THE FIRST GREAT ENEMY OF THE CHURCH 196
THE SECOND AND THIRD GREAT ENEMIES OF THE CHURCH 217
RENEWED CONSOLATORY VISIONS. THE LAMB ON THE MOUNT ZION AND THE HARVEST AND VINTAGE OF THE WORLD 238
THE BEAST AND BABYLON 277
THE FALL OF BABYLON 303
THE PAUSE OF VICTORY AND JUDGMENT OF THE BEAST AND THE FALSE PROPHET 316
JUDGMENT OF SATAN AND OF THE WICKED 335
THE NEW JERUSALEM 360
The Revelation of Jesus Christ, which God gave Him to show unto His servants, even the things which must shortly come to pass: and He sent and signified it through His angel unto His servant John; who bare witness of the word of God, and of the testimony of Jesus Christ, even of all things that he saw. Blessed is he that readeth, and they that hear the words of the prophecy, and keep the things which are written therein: for the season is at hand (i. 1-3).
The first chapter of Revelation introduces us to the whole book, and supplies in great measure the key by which we are to interpret it. The book is not intended to be a mystery in the sense in which we commonly understand that word. It deals indeed with the future, the details of which must always be dark to us; and it does this by means of figures and symbols and modes of speech far removed from the ordinary simplicity of language which marks the New Testament writers. But it is not on that account designed to be unintelligible. The figures and symbols employed in it are used with perfect regularity; its peculiar modes of speech are supposed to be at least not unfamiliar to the reader; and it is taken for granted that he understands them. The writer obviously expects that his meaning, so far from being obscured by his style, will be thereby illustrated, enforced, and brought home to the mind, with greater than ordinary power. The word _Revelation_ by which he describes to us the general character of his work is of itself sufficient to show this. "Revelation" means the uncovering of that which has hitherto been covered, the drawing back of a veil which has hung over a person or thing, the laying bare what has been hitherto concealed; and the book before us is a revelation instead of a mystery.
Again, the book is a _revelation of Jesus Christ_; not so much a revelation of what Jesus Christ Himself is, as one of which He is the Author and Source. He is the Head of His Church, reigning supreme in His heavenly abode. He is the Eternal Son, the Word without whom was not anything made that was made, and who executes all the purposes of the Father, "the same yesterday, and to-day, and forever."[1] He is at the same time "Head over all things to the Church."[2] He regulates her fortunes. He controls in her behalf the events of history. He fills the cup which He puts into her hand with prosperity or adversity, with joy or sorrow, with victory or defeat. Who else can impart a revelation so true, so weighty, and so precious?
Yet again, the revelation to be now given by Jesus Christ is one _which God gave Him_, the revelation of the eternal and unchangeable plan of One who turneth the hearts of kings as the rivers of water, who saith and it is done, who commandeth and it stands fast.
Finally, the revelation relates to things that _must shortly come to pass_, and thus has all the interest of the present, and not merely of a far-distant future.
Such is the general character of that revelation which Jesus Christ _sent and signified through His angel unto His servant John_. And that Apostle faithfully recorded it for the instruction and comfort of the Church. Like his Divine Master, with whom throughout all this book believers are so closely identified, and who is Himself _the Amen, the faithful and true witness_,[3] the disciple whom He loved stands forth to bear witness of _the word of God_ thus given him, of _the testimony of Jesus_ thus signified to him, _even of all things that he saw_. He places himself in thought at the end of the visions he had witnessed, and re-traces for others the elevating pictures which had filled, as he beheld them, his own soul with rapture.
William Milligan's commentary on the Book of Revelation, part of The Expositor's Bible series edited by W. Robertson Nicoll, approaches the apocalyptic text with a focus on narrative continuity. In the excerpt from chapter 12, Milligan argues that the war in heaven (verses 7–12) is not a break in the narrative but a direct continuation of the preceding scene. He contends that the combatants—the dragon and the woman's child—have been introduced, and the conflict now unfolds. This insistence on a unified sequence shapes his reading of the entire book.
Milligan's Method: Continuous Narrative
Milligan repeatedly emphasizes that the visions of Revelation form a coherent progression. In the excerpt, he states that the idea of a break between verses 6 and 7 is “wrong” and that “the progress of the thought is continuous.” This is not a minor point; it reflects his broader interpretive strategy. Rather than treating each vision as a self-contained episode, Milligan reads them as stages in a single drama. For a first-time reader, this means paying attention to how each scene logically follows the previous one, even when the imagery shifts dramatically. Milligan's commentary thus serves as a guide to the book's internal logic, helping the reader see connections that might otherwise be missed.
Identifying the Divine Warrior
One of Milligan's more striking claims is that the archangel Michael in Revelation 12 is actually Christ himself. He supports this by noting that the name Michael means “Who is like God?” and that in 1 Thessalonians 4:16, the Lord descends “with the voice of the archangel.” He also appeals to the book of Daniel, where Michael appears as the defender of the church. This identification is not universally accepted, but Milligan argues it is “even in itself probable” because the dragon leads darkness and the Son is the dragon's primary opponent. Readers should note how Milligan uses cross-references and linguistic analysis to build his case, a method he applies throughout the commentary.
The Wilderness as Sustenance
In discussing the woman fleeing into the wilderness (Revelation 12:6), Milligan draws parallels to Israel's wilderness wanderings, Elijah's flight, and Christ's forty days in the desert. He writes that the church's wilderness life “continues during the whole Christian era” and that believers are nourished by “heavenly food” and “living water.” This typological reading—where Old Testament events prefigure New Testament realities—is a hallmark of Milligan's approach. For the reader, this means that even seemingly obscure details in Revelation are linked to a broader biblical narrative. Milligan's commentary thus functions as a kind of biblical theology, tracing themes across testaments.
The Accuser Cast Down
Milligan's treatment of the war in heaven emphasizes the victory achieved “because of the blood of the Lamb, and because of the word of their testimony.” He notes that the accuser is cast down and that the saints “loved not their life even unto death.” This passage, he argues, shows that the conflict is not merely cosmic but also personal: the dragon's defeat is accomplished through the faithful witness of believers. Milligan does not dwell on speculative details about the timing of these events; instead, he focuses on the spiritual reality they convey. For a first reading, this section underscores that Revelation is not just about future events but about present Christian experience.
Milligan's commentary rewards readers who attend to his argument for narrative coherence and his careful use of Scripture to interpret Scripture. Rather than offering a verse-by-verse gloss, he builds a cumulative case for how Revelation's visions fit together. A first-time reader may find it helpful to read the biblical text alongside Milligan's commentary, noting where he identifies connections and where he departs from other interpreters. His work remains a valuable resource for those seeking a thoughtful, theologically grounded introduction to this challenging book.
Reading Milligan’s gentle insistence that Revelation flows as one continuous story, never breaking, made me think of how our own church covenants quietly hold us together. There's a similar trust in wholeness there. I found myself wandering back to The Nature of a Gospel Church A Confession of Evangelical Principles; and the Members' Covenant. Intended for the Use of the Church of Christ. — Story, Setting & Ideas, remembering how its plain words once felt like a warm hand on my shoulder.
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